Josh/Ross/Will - These 3 guys should be hired to film anything FD has it's hand in. I don't think anybody will disagree.
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Red Bull Drifting World Championship on SPEED TV! 12.21.2008
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Ok, I was finally able to watch the redbull episode.
It's a shame the rest of the season wasn't filmed the same way. I absolutely LOVED the 24fps shots/tracking shots/crane shots. THIS is what I was talking about. One gripe, I thought everything should have been shot in 24fps instead of the mix 24/30. Kind of gave an inconsistent look. But this is just personal opinion.
Was greatly disappointed with the lack of the full top 32. I felt the super long description of what drifting is was unnecessary. Probably would have been perfect to keep the same description you guys always give during the regular episodes. I definitely think this should have been a 2 hour show, but you guys made it work with the time you had.
I'll be honest I was worried reading all of these comments, but it actually was a solid show!!
It would be awesome if all of next season was filmed the same way. Some of those shots blew my mind!
-Josh
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Cool, cool, this is fun. Some of you sound like me when we are cutting this shiz up. Here are some of the answers to your questions:
I was out of line with my first post, frustration just got the best of me. I just want to see the show be as awesome as possible, ya know! It's awesome that you guys actually read and listen to what we have to say and take our comments to heart...not that many people can or want to do that. If it seemed like I was out of line, or completely off base, I apologize. There's just really no excuse for NOT having a show that melts peoples faces off every time they watch it.
- Cameras for the clipping points. The only one I saw was at FD vegas, but it was pointing the wrong direction. To me this should be the most important thing for filming drifting. You want the general public to know how clipping points work, but we never get to see how close they actually get. Compare the long beach episode from this year to last year. Perfect example was when Haraguchi took the clip off of the wall. You got to see how close he actually was to the wall. Now look at this year...no shots like that were there. They don't need a $10,000 camera for this. You can have an $800 Canon HV20 on a tripod facing right at the clips or one clip. Realistically you only need one of these placed at the clip or zone where drivers get the closest. This is all production value. The general public hears this and thinks, "So they are supposed to get close to those cone things" If they were to see how close some of these guys get they would say "Holy sh*t that guy is insane" or "F*ck! how did he do that?!" Imagine a camera placed at the top of the bank at Irwindale when JR scraped the wall the entire way...again, production value.
- Commercials. I'm sure there's probably a reason there are so many commercial breaks, but that is probably the most frustrating thing about the show. You watch one run of top 16 and then we get the whole "When we come back...." statement. I'm sure this probably has to do with the cost of the time slot, but that's something that can potentially drive viewers away. What do people do when commercials come on? They change the channel to something that isn't playing commercials at that time. What happens if they change the channel to something else that grabs their attention? You lose viewers.
- Release dates for shows. The end of the season?!?! Really? This has been the biggest gripe that I've heard from EVERYONE. I mean is there any sort of reason that justifies this? There should be no reason at all for this. By the time the show airs, the buzz about the event is gone. There's usually a one month gap between events which is ample time to put out an hour long show, so why do we have to wait 5+ months to see round 1? There should be absolutely no excuse for this. Don't have the time to get into the studio to narrate the show? Find someone who does. The crew doesn't have time to put the show together? Get a crew who does. People have short attention spans, most of them forget to watch the shows by the time they air. What if there was some sort of controversy at an event, like 07 when Haraguchi brake checked tanner. Everyone was buzzing about that yet there was no footage of it until half a year after the fact. People see something crazy, they go talk about it, the buzz gets around, people want to see it for their own eyes. How easy would it be to promote the show at the event? "Tune into Speed next Sunday to see tonight's event all over again" People are going to remember this. Instead people hear "Tune into Speed at the end of the year to see tonight's event (Which happened in April)" People are going to forget all about the event by then.
of course speed is gunna have an amazing response
so the places OUTSIDE of the USA will get the good *Censored**Censored**Censored**Censored*, but *Censored**Censored**Censored**Censored* everyone where the events actually take place??
we dont need an interview about how the band is a bunch of bad drivers
.5 seconds of takatori dosent count. and i never heard kyle mohans name mentioned once
im sure they would. i would if i was in their shoes. but they hardly got any actualy coverage. i saw more of MAD MIKE then i did of takatori, or ueo, or james deane.
please talk to the fans that have been into drifting for a long time as well as the media guys that film at these events as well. we have ideas and insight on things to help keep it true to the drifters and not some fly by night production
Is there gonna be a DVD of this event all by it's lonesome? If so it would be epic to get some of the full solo runs in there, like rhys's attempted 108mph entry that he barely pulled out of.
eah, I know you are Hubert.
I think my point was this,
This is a feedback thread about the biggest drifting production to date. For some reason, 99% of the people seemed to have overall negative feelings about it. That should be a red flag right from the get-go.
FD will say they liked it.
Pro drivers will probably say they liked it. (I think you are the first pro driver to respond, Hubert)
General audience will probably like it.
"core fans" don't seem to like it.
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Thanks for clearing everything up! I was fairly sure that some of the things I mentioned were out of your guys' hands, but I wanted to ask anyways
Looking forward to next season!
If you guys ever need an extra hand, you know who to call! hahaha
-Josh
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i do not mean to call the fusion guys a fly by night production. i was commenting on the production by speed TV. andy and the fusion TV guys are very good at what they do and i know and respect them greatly.
its good to know that you guys are actually considering alot of the suggestions that have been brought up in this thread.
and
thank you again. for putting on a spectacular 2008 season. see you next year
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Anyone have a real idea of how much that cable operated camera system is that's strung between two towers far apart from one another? The camera zips back and forth on this cable track suspended in the air.
I've seen them being used in stadium truck off-road racing. It can pace with the trucks, catch them in the jumps, as they drift around banks, etc., etc. I've also seen something like this at a football game...it paced with the football flying through the air. I think something like this could be used for drifting, but I've heard that this camera setup is super $$$,$$$.$$ I'm just picturing the setup pacing the two cars, and just sticking with them throughout their run. The cameras can pace, zoom, rotate, etc... The cable can be stretched so that the camera can be completely on top of the cars and have a total birds eye view of how close they get to one another and/or the wall.
Is there one that's LIKE it, but just more basic?
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i do not mean to call the fusion guys a fly by night production. i was commenting on the production by speed TV. andy and the fusion TV guys are very good at what they do and i know and respect them greatly.
its good to know that you guys are actually considering alot of the suggestions that have been brought up in this thread.
That being said, Chaboing-boing is a great sounding board for ideas.
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Originally posted by Brian View PostJosh/Ross/Will - These 3 guys should be hired to film anything FD has it's hand in. I don't think anybody will disagree.
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Originally posted by alex View Post+1 for releasing a show within a few weeks, instead of a few months
SPEED should release some unused content online since they do not have enough time to show it all on TV
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Originally posted by courantcom View PostYah...like a "check out the website for more insight on blah blah blah..." I'm guessing they just concentrated on producing the TV show, and then just dumped the rest?
more traffic for SPEED TV's website
more exposure for Formula D and the participating teams
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Anyone have a real idea of how much that cable operated camera system is that's strung between two towers far apart from one another? The camera zips back and forth on this cable track suspended in the air.
- What is the shot?
- How does the camera need to move?
- Is there a certain speed the camera needs to film at?
- Location
- Film format
- Union or Non-union.
But 10k and above per day is not uncommon even at the lowest common denominator.
SPEED should release some unused content online since they do not have enough time to show it all on TV
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Im watching it for the first time right now after work. id agree with most everyone, its a good episide so far, but it does really more interviews with the other drivers, some background info about what drivers had to do just get themselves and their cars here, plus the 32 qualifiying. I was more exicted to see all the new drivers come over than the FD drivers ive seen all year long drive.
You guys should do a $10 dvd, or a web online only 2 hour no commerical episode for the diehard fans.
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Originally posted by Formula D View PostThat's what I mean Deadpirate is that Fusion does everything from A-Z. Start to finish, it's all them. Speed provides no production at all. They are just the outlet.
then i retract my statement.
i was under the impression that speed TV did the majority of the production with a little help from fusion.
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